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Saturday, September 23, 2017

T.S. Elliot & John Fahey




Not fare well,
But fare forward, voyager..
"I sometimes wonder if that is what Krishna meant-
Among other things - or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
Watching the furrow that widens behind you,
You shall not think "the past is finished"
Or "the future is before us".
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
"Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: 'on whatever sphere of being
The mind of a man may be intent
At the time of death' - that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
O voyagers, O seamen,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination."
So Krishna, as when he admonished Arjuna
On the field of battle.
Not fare well,
But fare forward, voyagers."
Τ.S. Elliot, Four Quartets (The Dry Salvages)








Friday, September 22, 2017

The Beatles con Peppino di Capri!!!




Great shot!



... please notice: "con" (with), not "e" (and)...



Twelve strings guitar - a love for life!



My love for acoustic 12 strings guitars began many decades ago... even before Claudio Rocchi's Volo Magico n. 1, Shawn Philips' Collaborations, Faces and Contributions, where acoustic 12 strings was King, I heard one day an heavenly sound in the immaterial form of a italian TV screenplay title track...

"Un certo Harry Brent" was the title and like many '60 and '70 b/w RAI Italian TV productions, the quality of the TV movie was quite high...

Other incredibly nice productions were, for example, "A come Andromeda" with a superb Paola Pitagora and Tino Buazzelli and Paolo Ferrari in Rex Stout's "Nero Wolfe": both screenplays sported very nice soundtracks and title tracks music.

... but back to Harry Brent...



I don't remember nothing about the screenplay, itself;-)

... but sure it left something indelible, music wise.

I already had my guitar and I loved strumming, alone or with friends... but when I heard this full, complex, beautiful sound, these harmonics...

Donovan's "Roots of Oak" was B side to "Riki Tiki Tavi" and mr. Leitch's group was a trio, actually... acoustic guitars, six and a twelve strings and percussions.



I immediately found the 45 rpm 7" disc at a local records shop and I worned it out, listening and re-re-re-listening... the seed was in me.

The music - listened now - isn't so special, but special are the sounds and guitars blend and matching.

It was 1970 and I only owned 7" records at the time, my first long-playing was going to come, thanking my dad, who bought Le Orme's Collage for Christmas...

I bought a Yamaha 12 strings guitar, shortly after, and I was hooked forever.

... and I still am and I play mostly 12 strings, these days, as well, also if now I enjoy some sought-after Guilds' and Blazer & Henke's this complex sound resonates in me.

... after 47 years!






The incredible record libraries where you can listen to vast archives for free



Yes... they're more and more as everyone's most optimistic guessing... not only the amazing, famous Library of Congress, but they're many and a well-kept secret.




... much worth browsing, indeed.








The Village Voice ends its printed form...




Sure Times they are a-changing, folks... and the famous magazine printed for eons in NYC ends its shiny story, publishing a Bob Dylan's '65 pix on the final paper cover.

Looks like a sort-of military greeting or a sunlight annoyed Bob...




... a hard rain gonna fall.

Stay cool.






Frank Zappa goes hologram!




A hologram of Frank Zappa will go on tour next year, according a statement released today from the Zappa Family Trust.
In the statement, co-trustee Ahmet Zappa is quoted as saying, "I’m thrilled that Frank Zappa will finally be going back out on tour playing his most well-known music as well as some rare and unheard material." 
The press release also promises appearances from Frank Zappa’s band members, including Steve Vai, Vinnie Colaiuta, Ian Underwood, and more. 

Ahmet goes on to say it would be his "greatest wish" to have "Moon singing ‘Valley Girl’ onstage with Frank...or to see Dweezil side by side with our father playing dueling guitar solos." 
Given the history of legal disputes between the Zappas over the use of various trademarks centering around Dweezil's Zappa Plays Zappa band, it remains to be seen whether this new tour will include participation by all of the Zappa siblings.
The hologram is being created by production company Eyellusion, who have also recently developed a hologram of Ronnie James Dio. 

Production is slated to start later this year, with tour announcements coming some time in 2018.



Wednesday, September 20, 2017

Tandberg 9200-XD is back home...




This little, great '70s tape-machine, a Crossfield-design made in Norway by Tandberg is back home after recapping and cleaning and alignment.



It sounds so lively...

One of the very few pieces of gear my wife likes... loves, I'd dare;-)

I like it as a lounge music machine - i.e. a lowest speed LIVE Sinatra tape still owns the soul of The Voice.



Luca Chiomenti's Riviera Lab AIC-10 - proudly italian!




Luca's a maven, a circuits-wizard and his audio projects are truly remarkable...




Riviera Labs is his last adventure... I heard about it from our common friend Loris, and, now, here it is.

We'll hear about him more and more... I wish to him the international audience he deserves.









Shark!!!




Cool...






Saturday, September 16, 2017

West meets East...




... as I really like to also do;-)




Love this music and owned the Hörzu pressing for decades... on reel to reel it sounds so natural...




Friday, September 15, 2017

Leonado da Vinci's notebook




Genius shared...





The new Leonid Sinitsin's Tzar DST




... the new, improved, superb, unique, sought-after, hand-made Tzar DST MC cartridge is here to please the world.




This masterpiece looks amazing and reportedly - from the maker himself who in-deep tasted and auditioned the best Lumiere DSTs and the original Neumann DSTs on the planet - is THE BEST DST-concept cartridge, ever... cost-no-object!

Hypes?

Nahhhh!

Let me agree with Leonid's enthusiasm: the Audio Technica ART-1000 is technically an achievement, but not a true Neumann's clone/replica.

Have a careful look at the HUGE magnets and at the beauty and precision of the triangle-shaped ultra low-impedance in-air, core-less coils!

Thanks to Leonid for proudly sharing this worldwide premiere.

Спасибо, Леонид!






Thursday, September 14, 2017

I'm back...





... or at least my body is...



... my soul - or whatever made me be in tears shortly before I took the above pix - remained here...




Thursday, August 31, 2017

Stevie knew!











This statue of Stevie Ray Vaughan in the flood looks amazing, almost Nostradamus-like... Texas Flood sure it is...






















My deepest concern and empathy to all Texans' in troubles for the floods.













Monday, August 28, 2017

Wunderplattenspieler





The Garrardzilla playing the huge platter EMT 927-role ;-) with a 10" disc...


... nice disc, by the way;-)





Disc of the Day - Bill Frisell & Thomas Morgan - Small Town (ECM 2017)




Bill Frisell is one of the most prolific guitar players around... his catalog is really huge, like his tone is unique.

His love for movies and soundtracks is legendary, as well: Ennio Morricone and Nino Rota's music was recently covered...  Buster Keaton's silent movies were one of his interests in the past... now...


Goldfinger!

Yes, folks...

The 2-records-set, recorded live at Village Vanguard in NYC on March 2014 is a truly wonderful recording and music to par...







The double-bass is very precise and surprisingly classical and clean sounding, yet finely matching with Bill's guitar and the four sides spin pleasantly... but...

... the last track, on fourth side is the a.m. Goldfinger, the James Bond's seminal song which to me sounds like a self-assessment of Bill Frisell's playing.




He's always faithful to itself, yet always fresh and brand-new!

Truly remarkable...

Let me say that Goldfinger rendition is worth the double-disc!

It's an instant classic, a standard to come...

The sound on the discs is lively, some tableware noises and coughs and breathings come in the background of music... also some birds singing at the very beginning of the disc... 'cause, hey, it's spring in NYC, d'ya remember?

A nice disc, indeed...





Wednesday, August 23, 2017

New Dave Slagle's EMIA autoformer passive line-stage











A nice entry-level passive preamp which sure will bring the joy of a good autoformers sound to a larger, broader satisfied audience.












Good luck for this project to Dave and Jeffrey...



Sunday, August 20, 2017

Friday, August 18, 2017

Namoore






I’m still in jaw-dropped-mode since yesterday, pals…




You maybe read about the installing of the new copper/wood binding posts from South Korea…




Well, it’s all in a innocent liner note under a pix in the Namoo dedicated post – i.e. it’s so empty, component-wise and so full of music.



It’s not unheard truth: the more resistors/caps/chokes/wiring layout, the less transparency and detailing you’ll get… it’s not me, but several audio designers who found this to be utterly, almost painfully true!



It’s also not unheard that a clunky, badass amp prototype mounted on a shitty plywood slab plays MUCH better than the same circuit in an alu-box.



… but, anyhow: who would buy a thousands bucks amp in naked point-to-point-wiring exposed in its circuitry?



That’s possibly the difference between a die-hard DIYer and a salon-type audio buff… blinking LEDs and highly polished gears lovers sometimes don’t get as much music as some hillibilly systems give.



Back to my Partridge 300B monoblocks and the Namoo’s… maybe it's the few components used in the Partridges' amps which makes the Namoos' so effective!


My friend Francesco was kidding and wondering if I’d be going to appreciate any difference, let alone any improvement vs. the Hirshmanns’… the embarrassed yet sincere reply to his wondering is: yes, I not only appreciated a difference, but also an improvement.





In terms of resolution and inner-detailing, first… the sound at first notes was a little over-brilliant, after half-an-hour, things got better and smoothness was back, with untouched better resolution.


I used - for both pleasure and deep knowledge of the disk itself – “Angel Song” on ECM, a superb, SUPERB recording with stellar artists spreaded in soundstage… Bill Frisell and Lee Koonitz at left and center-left and Kenny Wheeler and Dave Holland at right and center-right.





To my surprise, I soooo appreciated Lee’s mouthwatering before holding the mouthpiece, also playing with the keys, tapping them on the alto sax before playing his part… also the Bill’s guitar tube-amp is slightly buzzing before his playing AND during his playing…


I also gave a spin to Paul Bley & Gary Peacock "Mindset" on Soul Note... on track 4 "E.D.P."  a thunderous double-bass solo, Mr. Peacock is puffing and humming and sweating on the instrument... what I didn't appreciate, yet, was the nose breathing while playing!






Impressive.   




Everything is more evident and audible despite no RohS, TÜV or other certifications... or the humbleness of the Namoo.



Will have to dig more and more well-known recordings…





Thanking Francesco for support in installing the Namoo.




Very satisfied of these gizmos, indeed... blossoming better and better at every listen.